SLIPKNOT's JAY WEINBERG Shares POV Video Of 'The Chapeltown Rag' Performance From Seattle

SLIPKNOT drummer Jay Weinberg has shared a point-of-view (POV) video of him performing the song "The Chapeltown Rag" with his bandmates on June 13 at Climate Pledge Arena in Seattle, Washington. The clip, which was filmed using a GoPro Hero 8 camera, can be seen below.

The studio version of "The Chapeltown Rag", which was released on November 5, 2021, was produced by Joe Barresi, who has previously worked with AVENGED SEVENFOLD, QUEENS OF THE STONE AGE and CHEVELLE, among many others.

SLIPKNOT frontman Corey Taylor described the song to Knotfest.com as "a punisher," saying it documents what happens when the distortions of mass media circulate within the echo chambers of social media.

"It's classic SLIPKNOT," said Corey about the track, which is inspired by a Netflix documentary he watched about the Yorkshire Ripper serial killer who murdered multiple women in the West Yorkshire, United Kingdom suburb Chapeltown in the late 1970s. "And it's frenetic. But lyrically, it's coming from a point of talking about the various manipulations that can happen when social media meets media itself. And the different ways that these manipulations can try to pull us in different directions, in the fact that we're all becoming addicts to it, which is very, very dangerous."

Recorded during recent sessions for a yet-to-be-announced new album, "The Chapeltown Rag" barrels forward with the speed of a freight train derailing and incisively eviscerates Internet culture from the inside out with the scream, "When everything is god online…nothing is."

"I wasn't even sure if that part was going to be the chorus, to be honest," Corey said. "But I just love the way that the chord progression lent itself this weird, chromatic, minor vibe to it, which I had never really done before. I played with it on 'Vermilion' years ago, but I had never really given it a little more aggression. The harmony that I created for it was just so fucking weird as well that it just gives it that slight dissonant vibe, but it's also very, very melodic and hummable. Writing and pulling yourself out of trying to keep it in some sort of structure allows you to just fucking rip the scab off and let the wound be what it is. Then obviously, the big breakdown at the end where it just fucking goes off the rails is is so heavy, dude."

Earlier this week, SLIPKNOT announced the fall leg of the "Knotfest Roadshow 2022" tour. Produced by Live Nation, the run — featuring support from horror-themed metal maestros ICE NINE KILLS and metalcore titans CROWN THE EMPIRE — will kick off on September 20 in Nashville, Tennessee and hit an additional eight cities before culminating in Irvine, California on October 7.

2021 marked a banner year for SLIPKNOT. Making a triumphant return to the road, "Knotfest Roadshow 2021" tour sold out amphitheaters across the country, bookended with the record-breaking Knotfest Iowa and the biggest headline show of SLIPKNOT's career, Knotfest Los Angeles at Banc of California Stadium, where they debuted their first new music in two years — the aforementioned "The Chapeltown Rag". In addition, they topped the bills of multiple, internationally renowned festivals, including Riot Fest, Rocklahoma, Inkcarceration, Welcome To Rockville and more.

In February, Taylor told SiriusXM's "Trunk Nation With Eddie Trunk" about the musical direction of the new SLIPKNOT material: "It's really killer, man. It's darker than 'We Are Not Your Kind', but there's a ton of melody. I've been telling everybody that it's like a heavier version of 'Vol. 3[: (The Subliminal Verses)]'. It's got so many textures and layers. The heavy stuff has attack but the melodic stuff you can just sink your teeth in; there's a lot of great melodies and hooks. I'm really, really excited for people to hear it."

"We Are Not Your Kind" was released in August 2019. The LP sold 118,000 equivalent album units in the U.S. in its first week of release to land at position No. 1 on the Billboard 200 chart. Furthermore, the album made an impact worldwide with No. 1 debuts in the United Kingdom, Mexico, Australia, Canada, Japan, Ireland, Belgium, Portugal and Finland, as well as Top 5 debuts in Germany, France, Norway, Italy, Austria, Sweden, Switzerland, The Netherlands, Poland, Spain and New Zealand.